Conor King, Untitled
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August 10 | 9AM — 4PM
Diana Markosian, The Big Sea (detail)
N E DA Y
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Diana Markosian, Figure in White (detail)
RKSHO
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August 12 — 16
III
iPhone Imagery Long-term Documentary Photography Workshop
Conor King Whitney Johnson & Diana Markosian
CONCEPT Learn how to produce images that CONCEPT
capture the imagination with an everyday tool
that is right at your fingertips: your iPhone. This
one-day workshop explores the possibilities of
“iPhonography”. The iPhone has become one
of the most ubiquitous, innovative and playful
photographic tools in our daily experience,
but this powerful device is capable of so much
more. With the ever-widening array of creative
applications and an emerging practice of
photographic interventions, the iPhone has also
become a uniquely powerful and self-contained
editing tool. Students explore how to make
the most of camera settings and learn some of
the latest and more established applications
to unleash the breathtaking potential of
our images.
MEDIA & TECHNIQUES
Students use
iPhones and select camera apps to capture, edit
and catalog images.
ACTIVITIES
Students learn through
demonstrations of emerging applications for
the iPhone and spend the day using them to
capture and edit images.
FACULTY Conor King received his MFA from
Pratt Institute. He has been a member of the art
faculty at several colleges and universities since
2009, including the University of Colorado,
Boulder. He has shown his work nationally and
internationally, has been a resident artist at
RedLine Denver, and served on the board at
the Colorado Photographic Arts Center, where
he also assisted with exhibition development.
Conor is a founding member of Tank Studios,
where his studio is currently located.
Students research, produce and develop visual and conceptual strategies for
storytelling through intensive presentations, editing sessions, discussion and critique. Through group
discussions and one-on-one critiques, students focus on a variety of important topics, including:
research and/or production of a long-term project; editing and sequencing of existing material;
writing a statement about the work; and envisioning future forms for the project from publication to
exhibition. Special attention is given to establishing partnerships for funding and disseminating the
work. In addition, attention to the specific projects is balanced by conversations about professional
practice and the broader industry.
MEDIA & TECHNIQUES
editing of work.
Students learn through presentations, discussions, critiques and
ACTIVITIES Instructors review historical and contemporary work, critique each student’s project as
a group, and develop a specific plan for the future of each project. Attention to the specific projects
is balanced by conversations about professional practice and the broader industry, building careers
and the promotion and publishing of work.
FACULTY
Whitney Johnson is the Deputy Director of Photography at National Geographic. Prior to joining
the magazine, she was the Director of Photography at The New Yorker where her work was widely
recognized, earning awards from the American Society of Magazine Editors, Awards of Excellence
from the Society of Publication Designers, and a Peabody.
Diana Markosian is an Armenian-American artist whose images explore the relationship between
memory and place. She received her master’s degree from Columbia University’s Graduate School
of Journalism. Her work has since taken her to some of the most remote corners of the world, where
she has produced both personal and editorial work. Her images can be found in publications like
National Geographic, The New Yorker and The New York Times. In 2016, she became a Magnum
nominee.
www.dianamarkosian.com
www.conorking.com
TUITION $250
TUITION $1,200
TUITION + STUDIO SUPPORT DONATION $350 TUITION + STUDIO SUPPORT DONATION $1,400
REGISTRATION FEE NA | STUDIO FEE NA REGISTRATION FEE $45 | STUDIO FEE $100
CODE P1027-19 | ENROLLMENT LIMIT 11 CODE P1128-19 ENROLLMENT LIMIT 11
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andersonranch.org
IV
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970/923-3181 [email protected]