Casey Reas, Guilty Party
Haley Samuelson, Untitled (detail)
July 8 — 12
II
Capture to Print
Haley Jane Samuelson
III
CONCEPT
Learn how to handle digital
images after the photograph has been
captured. Designed for those who have a basic
working knowledge of digital photography, this
workshop is packed with information, lectures
and demonstrations that cover many aspects of
software, cameras and printers. Topics include
digital workflow, proper use of the histogram,
the pros and cons of working with RAW files,
the many useful features of Lightroom, Bridge
and Photoshop, how to make contact sheets
and more. Participants must bring an external
hard drive containing raw photographic files to
work with.
MEDIA & TECHNIQUES
Students use
digital cameras, employ a digital workflow with
Adobe Lightroom and Adobe Photoshop, and
learn digital printmaking techniques.
ACTIVITIES
Students receive in-class lectures
and demonstrations, hands-on guidance and
the opportunity to review digital workflow using
their own catalog of images. Students use the
digital workflow to create digital prints during
the week. Studio activities are complemented
by short field trips to create new images.
FACULTY
Haley Jane Samuelson has taught
courses at The City University of New York,
Metropolitan State University and the University
of Denver. Her work has been shown at art
fairs across the globe, including Photo LA,
Photo Miami and Art Basel. Her work has been
published in several international magazines,
including Zoom Magazine, Oxford American
Photo France, and Korea Photo+, among others.
www.haleyjsamuelson.com
Richard Renaldi, Johnathan & Beatrice
July 15 — 19 II July 15 — 19 II
Blow Up: exploration
& discovery III The Engaging
Portrait III
Casey Reas Richard Renaldi
CONCEPT CONCEPT
This is a workshop for visual
exploration and discovery. What can be done in
one week with access to a chemical darkroom,
digital printers and scanners, software and
custom code, and a huge 4K screen? How
can students explore and create hybrids with
analog photographic technologies and the
latest digital tools and platforms? Participants
work with early photography techniques like
cyanotypes and photograms, test different
methods for scanning and capturing the world,
explore code to modify and generate images,
and test different printing techniques from
high-resolution pigment prints to silkscreens.
All code is created in Processing (www.
processing.org).
MEDIA & TECHNIQUES
The aim is to
explore and invent new ways of working with
media. As a group, students test, experiment
and share. Code examples are provided and
can be modified slightly or extended heavily
depending on each person’s experience level.
The end results are different for everyone and
may include software, analog photographs or
digital prints. Students are strongly encouraged
to move between media to develop unique and
personal techniques.
ACTIVITIES
This is structured as an open
studio. A series of workshops punctuates each
day. Students review darkroom techniques for
photograms, high-resolution scanning and
printing, basic silkscreening and plenty of code
to generate and manipulate images.
FACULTY Casey Reas is an artist and educator.
He has a studio in Los Angeles and is a professor
at the University of California, Los Angeles in the
Department of Design Media Arts. With Ben Fry,
Casey co-founded Processing in 2001.
This workshop focuses on
environmental portraiture and the creation
of photographic portraits primarily of, but
not limited to, strangers. Students learn the
construction and aesthetics of what makes
an engaging portrait, including background,
lighting, directing and casting. The figure/
ground relationship is also explored as well as
the use of creative perspectives and the decisive
acuity required for spontaneous portraiture.
Students gain a technical and conceptual
fluency to apply within their own practice.
MEDIA & TECHNIQUES
Students use
digital photography, digital printmaking, and
digital workflow with Adobe Lightroom and
Adobe Photoshop.
ACTIVITIES
The workshop begins with a
review of students’ portfolios, during which
each student receives personalized feedback
and exercises for improvement. Students are
encouraged to break through the boundaries
between themselves and their subjects as they
work throughout the week. Portraits are made in
the field, edited, sequenced and finished with
a final review on the last day of the workshop.
FACULTY
Richard Renaldi’s photographs
have been mounted in galleries and museums
throughout the United States, Asia and Europe.
He is represented by Benrubi Gallery in New
York and Robert Morat Galerie in Berlin.
Richard’s most recent monograph, Touching
Strangers, was released by the Aperture
Foundation in 2014. In 2015, he was named a
John Simon Guggenheim Memorial Foundation
Fellow in Photography.
www.renaldi.com
www.caesuras.net | www.reas.com
TUITION $985 TUITION $1,155 TUITION + STUDIO SUPPORT DONATION $1,185 TUITION + STUDIO SUPPORT DONATION $1,355 TUITION + STUDIO SUPPORT DONATION $1,355
REGISTRATION FEE $45 | STUDIO FEE $100 REGISTRATION FEE $45 | STUDIO FEE $100 REGISTRATION FEE $45 | STUDIO FEE $100
CODE P0613-19 ENROLLMENT LIMIT 12 CODE P0714-19 ENROLLMENT LIMIT 11 CODE P0715-19 ENROLLMENT LIMIT 12
24
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andersonranch.org
TUITION $1,155
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970/923-3181 [email protected]
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