Hiroe Hanazono, Brunch Set
July 29 — August 9
By Design: prototype
development & mold
making
Hiroe Hanazono
August 5 — 16 I August 12 — 23 I
II Sculpture: clay,
wood & steel II Alternative Processes
in Clay II
III Trey Hill Kate Roberts CONCEPT CONCEPT
plaster to create models and molds. Emphasis
is on developing original designs and forms
rather than using found objects. Design an
object on paper, then learn various methods of
how to create a three-dimensional version using
clay, plaster and wood. There is supervision
throughout the process; make one-piece or
multiple-piece molds, then use molds to make
slip cast objects.
MEDIA & TECHNIQUES Students develop
original designs and forms for casting with clay.
The creation of prototypes and models involves
various woodshop machines and hand tools.
Mold making and slip casting techniques are
covered. Cone 6 porcelain casting slip are used
and fired in electric kilns.
ACTIVITIES
There are demonstrations on
creating prototypes with clay, plaster and wood.
One-piece and multiple-piece mold-making
as well as slip-casting processes are covered.
Lectures on work made using these processes
further understanding of the possibilities
available through mold making and slip casting.
Hiroe Hanazono received her
MFA in Ceramics from Ohio University. She is a
recipient of The Clay Studio’s 2008-2009 Evelyn
Shapiro Foundation Fellowship. She produces
highly designed tableware in her Philadelphia
studio while teaching a variety of ceramics
classes in New York City and Philadelphia.
www. hiroehanazono.com
Kate Roberts, Miss Havisham’s Beauty
I
CONCEPT Develop methods of working with
FACULTY
Trey Hill, Navigating the Decline
Explore new materials and
approaches to working with clay. Learn to
combine different materials to create successful
ceramic and mixed-media sculptures. Discover
how adding different materials such as steel,
wood, and found objects to your work adds
layers of information and complexity. This
dynamic studio environment gives you access
to new materials and new ways of thinking.
MEDIA & TECHNIQUES
Students build
ceramic objects using selected imagery
and work to incorporate other built and
found objects. Review different building
techniques including large-scale coil, slab and
solid construction. Demonstrations include
multiple ways of hand building, introductory
woodworking, metalworking and surface
treatments for ceramic sculpture.
ACTIVITIES
The first week of the workshop
takes place in the ceramics studio and moves
to the sculpture studio during the second week.
Demonstrations, lectures, group discussions
and one-on-one mentorship occur. Each
new technique and materials demonstration
demystifies the material and process with an
emphasis on safety and experimentation.
FACULTY
Trey Hill is a professional sculptor
and Associate Professor at the University of
Montana where he teaches both ceramics and
sculpture. He received his BFA from Bowling
Green State University and his MFA from
San Jose State University. His work has been
shown in galleries and museums nationally
and internationally. Trey has participated in
numerous national and international artist
residencies.
Discover new approaches to
working with clay; experiment with a variety of
additives to clay bodies, building processes,
and surface treatments. Examine how these
alternative approaches produce unique and
dynamic pieces as well as expand the decorative
or conceptual nature of a piece. Students leave
with a digital cookbook of ceramics recipes
and the confidence to push the boundaries of
ceramics processes.
MEDIA & TECHNIQUES Students explore
and experiment using a variety of clay bodies
and processes including paper clay, tape
casting, slip dipping organic materials and using
a hopper spray gun to create texture to apply to
the creation of functional and sculptural forms.
ACTIVITIES
Participate in demonstrations,
slide lectures, individual work time and
continuous experimentation.
FACULTY Kate Roberts received her MFA and
BFA from Alfred University. Her work has been
shown in major exhibitions such as the Scripps
National and Parcours Ceramique Carougeois
Biennial in Geneva, Switzerland. She has taught
at the University of Wisconsin, Madison, the
University of Washington, and is currently
Assistant Professor at the University of Memphis.
www.katerobertsceramics.com
www.treyhillstudio.com
TUITION $1,195 TUITION $1,195 TUITION + STUDIO SUPPORT DONATION $1,595 TUITION + STUDIO SUPPORT DONATION $1,595 TUITION + STUDIO SUPPORT DONATION $1,595
REGISTRATION FEE $45 | STUDIO FEE $175 REGISTRATION FEE $45 | STUDIO FEE $195 REGISTRATION FEE $45 | STUDIO FEE $175
CODE C0914-19 ENROLLMENT LIMIT 12 CODE C1015-19 ENROLLMENT LIMIT 12 CODE C1117-19 ENROLLMENT LIMIT 14
14
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andersonranch.org
TUITION $1,195
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970/923-3181 [email protected]
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