Rich Tannen, Maple Tray Fabiano Sarra, Spada Chair Carter Hopkins, FabLab
August 13 – 17 August 20 – 24 August 27 – 31
The CNC: why, when & how Introduction to Rhino & the
CNC FabLab: digital surface design
Rich Tannen
II
III
CONCEPT: Combine the traditions of furniture making
with modern technology in an intensive hands-on
workshop that explores the creative potential of the
Computer Numerically Controlled (CNC) router. We
address the questions of why, when and how to use
the CNC to satisfy your particular needs. Whatever your
background, we explore ways in which this technology
can become another powerful tool in your design/
build repertoire. This is a hands-on workshop for both
experienced and beginning CNC practitioners.
MEDIA & TECHNIQUES: We cut wood and foam
component parts, and use Rhino CAD, MasterCam
CAM and Fusion 360 software. Advanced CAD skills are
welcome, but not required. There is instruction in CAM
and CNC interface software, with some remedial help
with Rhino. Students are encouraged to bring their own
laptops.
ACTIVITIES: We begin to cut the parts immediately
with intensive hands-on design and creation. We
complete CAD, CAM and CNC operations using the
router. Demonstrations, discussions, lectures and hands-
on instruction occur at every stage, and we provide
feedback in individual and group settings.
FACULTY: Rich Tannen is a professor emeritus in the
furniture program at RIT. He has been exploring the CNC
for eighteen years. He has exhibited his work extensively
and is represented in many public and private collections.
Rich’s honors include Artists’ Fellowships from the NEA,
the Massachusetts Arts Council and the New York
Foundation for the Arts.
www.richtannen.com
TUITION $975
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I
II
Join us in this week-long workshop as we
explore the fundamental applications of the Computer
Numerically Controlled (CNC) router. Students learn
the process of drawing and preparing digital models in
Rhino3D and outputting them on a CNC with the use of
computer-aided machining software or CAM. Students
complete short exercises throughout the week as they
learn to adapt the process to their personal studio
practices. Although we use wood as our primary material
in the exercises, this course is open to artists and
craftspeople in all disciplines.
MEDIA & TECHNIQUES: Students learn Rhino3D
modeling software to design 2-D and 3-D models for
output on the CNC. Each student learns the process of
generating a tool path with CAM software and to run
their tool path on our CNC machine. Other course content
is tailored to address individual project ideas and goals.
ACTIVITIES: Demonstrations and one-on-one assistance
are given in conjunction with morning and afternoon
exercises in using the CNC and a variety of software. We
explore the basics of the software programs, however
each student is required to have a basic understanding of
how to use computers.
FACULTY: Fabiano Sarra is a furniture designer
and maker from Rochester, N.Y. He was a past Studio
Coordinator for Furniture Design and Woodworking
at Anderson Ranch and is currently working toward
his M.F.A. in furniture design at Rochester Institute of
Technology.
CONCEPT:
www.fabianosarra.com
TUITION + STUDIO SUPPORT DONATION $1,175
REGISTRATION FEE $45
CODE W1118-18
Fabiano Sarra
Carter Hopkins
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STUDIO FEE $100
ENROLLMENT LIMIT 10
TUITION $975
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TUITION + STUDIO SUPPORT DONATION $1,175
REGISTRATION FEE $45
CODE W1221-18
56 andersonranch.org 970/923-3181 [email protected]
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STUDIO FEE $100
ENROLLMENT LIMIT 10
I
II
CONCEPT: Push the boundaries of digital surface
design in the Anderson Ranch digital fabrication lab,
and discover an array of wooden design surfaces. We
investigate generating three-dimensional forms and
volumes, and utilize the laser cutter and the Computer
Numerically Controlled (CNC) router. Each student draws,
designs and cuts components to generate a form of
interest. We then bring these forms and surfaces to life
by using materials such as solid wood, bendable plywood
and a variety of fasteners. Each student uses software to
draw components digitally prior to cutting.
MEDIA & TECHNIQUES: Students begin with hand
drawings and sketches on day one. As we discuss
potential forms and surfaces, we digitally draw parts to
be cut on the laser cutter or the CNC router. Students
should have a working knowledge of CAD or Illustrator
software, but assistance is provided as needed.
ACTIVITIES:
Demonstrations, discussions and
instruction are given each morning and afternoon.
Students are immediately introduced to the workable
materials to provide insight for potential volumes and
forms. We continuously discuss design intentions and
provide feedback in both individual and group settings.
FACULTY: Carter Hopkins is an educator and artist
from Rochester, N.Y. He received his M.F.A. in furniture
design from the School for American Crafts - RIT. With a
background in fine art as well as woodworking, he utilizes
his process of drawing and painting to inspire and create
pieces of furniture. Carter is the Fab Lab Coordinator at
Anderson Ranch.
www.carterhopkins.com
TUITION $875
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TUITION + STUDIO SUPPORT DONATION $1,075
REGISTRATION FEE $45
CODE W1324-18
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STUDIO FEE $100
ENROLLMENT LIMIT 10