On Chesil Beach
by Eric Hillis
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There’s an argument to be
made against novelists adapt-
ing their own work for the
screen. They might be too in
love with their words and don’t
understand how to turn those
words into images in the man-
NJ STAGE - ISSUE 47
ner of a conventional screen-
writer. They may struggle to
trim down their work to fit a
two hour running time, devot-
ing too much time to unneces-
sary subplots at the expense of
the main narrative.
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